Press Images

Terms of Use

The images available for download are copyright protected und may be used free of charge, subject to functional and time restrictions, exclusively for online and print news reporting. Use of the exhibition images without charge is permitted for a period of four weeks before and four weeks after the presentation of the exhibition.

The following conditions apply for use of the images:

  1. Every image must have a copyright notice attached to it. The copyright should be attributed to ifa (Institut für Auslandsbeziehungen) if no other information is provided.
  2. For each image published in print media, please send a copy without charge to: ifa (Institut für Auslandsbeziehungen), Stabsbereich Kommunikation, Charlottenplatz 17, 70173 Stuttgart, Germany. 
  3. For images appearing in an online publication, please send the precise link to presse(at)ifa.de.

 

Opening German Pavilion 2022

© Bernhard Kahrmann/ifa

Katja Keul, Minister of State at the German Foreign Office, at the Opening of the German Pavilion at the Biennale di Venezia 2022 © Bernhard Kahrmann/ifa

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© Bernhard Kahrmann/ifa

Curator Yilmaz Dziewior at the Opening of the German Pavilion at the Biennale di Venezia 2022 © Bernhard Kahrmann/ifa

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© Bernhard Kahrmann/ifa

ifa Secretary General Gitte Zschoch at the Opening of the German Pavilion at the Biennale di Venezia 2022 © Bernhard Kahrmann/ifa

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© Bernhard Kahrmann/ifa

ifa President Ulrich Raulff at the Opening of the German Pavilion at the Biennale di Venezia 2022 © Bernhard Kahrmann/ifa

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© Bernhard Kahrmann/ifa

Opening of the German Pavilion at the Biennale di Venezia 2022 © Bernhard Kahrmann/ifa

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© Maria Eichhorn / VG Bild-Kunst, Bonn 2022, Photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Doorway to the left rear side room from 1909, walled up in 1928; foundations of the rear wall from 1909; join between sections of the building from 1909 and 1938; rear wall of the building from 1909,
interior wall from 1938, demolished in 1964; wall lettering; doorway to the right side room from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG BildKunst, Bonn 2022, photo: Jens Ziehe

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© Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Wall lettering; doorway to the main space from 1909, walled up in 1912, reopened in 1928, walled up in 1938; doorway to the left front side room from 1909, walled up in 1938; wall from 1909 between two side rooms, demolished in 1938; doorway to the left rear side room from 1909, walled up in 1928; doorway to the main space from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

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© Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Foundations of the rear wall from 1909; join between sections of the building from 1909 and 1938; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; wall lettering; doorway
to the right side room from 1909, walled up in 1912; examination of plaster layers; doorway to the right side room from 1909, walled up in 1912, reopened in 1928, walled up in 1938, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

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© Maria Eichhorn / VG Bild-Kunst, Bonn 2022, Photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Joins between sections of the building from 1909 and 1938; wall lettering; doorway to the left rear side room from 1909, walled up in 1928; foundations of the rear wall from 1909; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; doorway to the right side room from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG BildKunst, Bonn 2022, photo: Jens Ziehe

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Portrait of Yilmaz Dziewior, the curator of the official German contribution to the 59th Venice Biennale 2022
Yilmaz Dziewior, photo: Nathan Ishar

Yilmaz Dziewior, curator of the official German contribution to the 59th Venice Biennale 2022

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Exhibitions

'Spheres of Interest*'

Exhibited in the ifa gallery Berlin from 24.06. – 18.09.2022
 

Ruth Wolf-Rehfeldt, Spheres of Interest, 1975, Zincography, 21 × 29.5 cm. Courtesy of the artist and Chert Lüdde, Berlin.

Ruth Wolf-Rehfeldt, Spheres of Interest, 1975, Zincography, 21 × 29.5 cm. Courtesy of the artist and Chert Lüdde, Berlin.

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Lizza May David and Gitte Villesen comparing gazes. Left: The Unknown Filipina, 2010 by Lizza May David, right Mischling, 1924 by Hannah Höch. Photo: Adrien Missika

Lizza May David and Gitte Villesen comparing gazes. Left: The Unknown Filipina, 2010 by Lizza May David, right Mischling, 1924 by Hannah Höch. Photo: Adrien Missika

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Endre Tót, I'M LOOKING FOR NOBODY, from the photo series HOPES IN THE NOTHING, 1980, color photo © VG Bild-Kunst, Bonn 2022

Endre Tót, I'M LOOKING FOR NOBODY, from the photo series HOPES IN THE NOTHING, 1980, color photo © VG Bild-Kunst, Bonn 2022

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Käthe Kollwitz, Die Mütter [The Mothers], sheet 6 of the series War, 1922-23, 1983/208, Woodcut

Käthe Kollwitz, The Mothers, sheet 6 of the series War, 1983/208, Woodcut

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ifa art collection (deposit Berlin), Institut für Auslandsbeziehungen – ifa © Victoria Tomaschko

ifa art collection (deposit Berlin), Institut für Auslandsbeziehungen – ifa © Victoria Tomaschko

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Isaac Chong Wai, Die Mütter (The Mothers), performance, 2022, © Victoria Tomaschko

Isaac Chong Wai, Die Mütter (The Mothers), performance, 2022, © Victoria Tomaschko

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'Khvay Samnang – Dancing the Land'

Exhibited in the ifa gallery Stuttgart from 23.05. – 04.09.2022

Khvay Samnang, Popil 2018, two-channel video installation with masks © Khvay Samnang

Khvay Samnang, Popil 2018, two-channel video installation with masks © Khvay Samnang

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Khvay Samnang, Preah Kunlong (the way of the spirit) 2017, two-channel video installtion with masks © Khvay Samnang

Khvay Samnang, Preah Kunlong (the way of the spirit) 2017, two-channel video installtion with masks © Khvay Samnang

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Khvay Samnang, Preah Kunlong (the way of the spirit) 2017, two-channel video installtion with masks © Khvay Samnang

Khvay Samnang, Preah Kunlong (the way of the spirit) 2017, two-channel video installtion with masks © Khvay Samnang

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Khvay Samnang, Rubber Man 2014, Digital Print, 80 x 120 cm © Khvay Samnang

Khvay Samnang, Rubber Man 2014, Digital Print, 80 x 120 cm © Khvay Samnang

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Khvay Samnang, Untitled, 2011 Video © Khvay Samnang

Khvay Samnang, Untitled, 2011 Video © Khvay Samnang

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Khvay Samnang, Untitled, 2011 Video © Khvay Samnang

Khvay Samnang, Untitled, 2011 Video © Khvay Samnang

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'Gods Moving in Places. The Day Reader'

The Palace of the Peacock, 2018, Detail, 300x500cm, Peacock Feathers, tulle © Mathieu Kleyebe Abonnenc

'The Palace of the Peacock', 2018, Detail, 300x500cm, Peacock Feathers, tulle © Mathieu Kleyebe Abonnenc

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'The Palace of the Peacock', 2018, Detail, 300x500cm, Peacock Feathers, tulle © Mathieu Kleyebe Abonnenc

'The Palace of the Peacock', 2018, Detail, 300x500cm, Peacock Feathers, tulle © Mathieu Kleyebe Abonnenc

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'Wacapou, a Prologue or A Room in My Mother’s house', 2018, Videostill, Super 8 film transferred in HD, 26min © Mathieu Kleyebe Abonnenc

'Wacapou, a Prologue or A Room in My Mother’s house', 2018, Videostill, Super 8 film transferred in HD, 26min © Mathieu Kleyebe Abonnenc

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'Wacapou, a Prologue or A Room in My Mother’s house', 2018, Videostill, Super 8 film transferred in HD, 26min © Mathieu Kleyebe Abonnenc

'Wacapou, a Prologue or A Room in My Mother’s house', 2018, Videostill, Super 8 film transferred in HD, 26min © Mathieu Kleyebe Abonnenc

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'The Night Readers', 2018, Videostill, HD Film, 42min © Mathieu Kleyebe Abonnenc

'The Night Readers', 2018, Videostill, HD Film, 42min © Mathieu Kleyebe Abonnenc

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'The Night Readers', 2018, Videostill, HD Film, 42min © Mathieu Kleyebe Abonnenc

'The Night Readers', 2018, Videostill, HD Film, 42min © Mathieu Kleyebe Abonnenc

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'Pool Malebo'

'Bouffe-moi', acrylics on canvas, 90x120 cm, Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

'Bouffe-moi', acrylics on canvas, 90x120 cm, Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

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'Exotic Brain Holiday 1', Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

'Exotic Brain Holiday 1', Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

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'Exotic Brain Holiday 2', Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

'Exotic Brain Holiday 2', Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

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Filmstill 'Kinshasa', Mukenge/Schellhammer © Mukenge/Schellhammer

Filmstill 'Kinshasa', Mukenge/Schellhammer © Mukenge/Schellhammer

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Filmstill 'Your exoticism is my daily bread', Kinshasa, 2020, featuring Harmonie Eley, Mukenge/Schellhammer, © Mukenge/Schellhammer

Filmstill 'Your exoticism is my daily bread', Kinshasa, 2020, featuring Harmonie Eley, Mukenge/Schellhammer © Mukenge/Schellhammer

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'No Title', Acrylics on Canvas, 100x70 cm, Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

'No Title', Acrylics on Canvas, 100x70 cm, Mukenge/Schellhammer, 2021, exhibtion ifa Gallery 2022  'Pool Malebo', © Mukenge/Schellhammer

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Performance Akademie Schloss Solitude, Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

Performance Akademie Schloss Solitude, Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

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'Ra', Acrylics on canvas, detail, Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

'Ra', Acrylics on canvas, detail, Mukenge/Schellhammer, 2021 © Mukenge/Schellhammer

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'Tropical Dream', Acrylics on canvas, 230x120 cm, Mukenge/Schellhammer, 2020 © Mukenge/Schellhammer

'Tropical Dream', Acrylics on canvas, 230x120 cm, Mukenge/Schellhammer, 2020 © Mukenge/Schellhammer

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'Vitesse speed', Acrylics on canvas, 220x223 cm, Mukenge/Schellhammer, 2022 © Mukenge/Schellhammer

'Vitesse speed', Acrylics on canvas, 220x223 cm, Mukenge/Schellhammer, 2022 © Mukenge/Schellhammer

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Persons

President Ulrich Raulff; Photo: Constant Formé-Bècherat
Photo: Constant Formé-Bècherat

Prof. Dr. Dr. h.c. Ulrich Raulff, President of ifa
Photo:  Constant Formé-Bècherat, 2018

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Gitte Zschoch, ifa Secretary General
Photo: Victoria Tomaschko/ifa

Gitte Zschoch, Secretary General of ifa
Photo: Victoria Tomaschko/ifa

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Contact

Miriam Kahrmann

Head of Communication Department

Charlottenplatz 17
D-70173 Stuttgart

Telephone: +49.711.2225.105

Guido Jansen-Recken

Linienstraße 139/140
D-10115 Berlin

Telephone: +49.30.284491.19