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Terms of Use

The images available for download are copyright protected und may be used free of charge, subject to functional and time restrictions, exclusively for online and print news reporting. Use of the exhibition images without charge is permitted for a period of four weeks before and four weeks after the presentation of the exhibition.

The following conditions apply for use of the images:

  1. Every image must have a copyright notice attached to it. The copyright should be attributed to ifa (Institut für Auslandsbeziehungen) if no other information is provided.
  2. For each image published in print media, please send a copy without charge to: ifa (Institut für Auslandsbeziehungen), Stabsbereich Kommunikation, Charlottenplatz 17, 70173 Stuttgart, Germany. 
  3. For images appearing in an online publication, please send the precise link to presse(at)ifa.de.

 

ifa Award 2022

© ifa/Hans-Christian Plambeck

Award ceremony of the ifa Award for the Dialogue of Cultures 2022 on 10.11.2022 at the Allianz Forum, Berlin. From left to right: ifa Secretary General Gitte Zschoch, artist Silvina Der-Meguerditchian (representing the ifa Award winner 2022 Osman Kavala), award grant recipient Yeter Erel Tuma and the organisation Rengarenk Umutlar Dernegi, laudator Dr Wolfgang Schäuble MdB, ifa president Dr Ulrich Raulff. © ifa/Hans-Christian Plambeck

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© ifa/Hans-Christian Plambeck

Award ceremony of the ifa Award for the Dialogue of Cultures 2022 on 10.11.2022 at the Allianz Forum, Berlin. From left to right: ifa Secretary General Gitte Zschoch presents artist Silvina Der-Meguerditchian in place of the ifa Award winner 2022 Osman Kavala the ifa Award 2022; grant recipient Yeter Erel Tuma and the organisation Rengarenk Umutlar Dernegi © ifa/Hans-Christian Plambeck

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© ifa/Hans-Christian Plambeck

Award ceremony of the ifa Award for the Dialogue of Cultures 2022 on 10.11.2022 at the Allianz Forum, Berlin. Laudator Dr Wolfgang Schäuble MdB © ifa/Hans-Christian Plambeck

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Exhibitions

If we're happy in our dreams, does that count?

28.10.2022 – 08.01.2023 at the ifa Gallery Stuttgart

Billie McTernan, a collection of a thousand rains © courtesy the artist

Billie McTernan, a collection of a thousand rains © courtesy the artist

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Billie McTernan, a collection of a thousand rains © courtesy the artist

Billie McTernan, a collection of a thousand rains © courtesy the artist

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Billie McTernan, a collection of a thousand rains © courtesy the artist

Billie McTernan, a collection of a thousand rains © courtesy the artist

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Billie McTernan, a collection of a thousand rains © courtesy the artist

Billie McTernan, a collection of a thousand rains © courtesy the artist

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Eric Gyamfi, stills from the exhibition, “the things that are left hanging in the air like a rumor” © courtesy the artist

Eric Gyamfi, stills from the exhibition, “the things that are left hanging in the air like a rumor” © courtesy the artist

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Eric Gyamfi, stills from the exhibition, “the things that are left hanging in the air like a rumor” © courtesy the artist

Eric Gyamfi, stills from the exhibition, “the things that are left hanging in the air like a rumor” © courtesy the artist

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Eric Gyamfi, Trade Winds and Shadow Objects: North by South east, 2021 © courtesy the artist

Eric Gyamfi, Trade Winds and Shadow Objects: North by South east, 2021 © courtesy the artist

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Nii Noi Nortey, Anyaa Library, 2022 © Photo Credits: Steloolive, courtesy the artist

Nii Noi Nortey, Anyaa Library, 2022 © Photo Credits: Steloolive, courtesy the artist

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Nyahan Tachie-Menso, Panoramic © courtesy the artist

Nyahan Tachie-Menso, Panoramic © courtesy the artist

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Nyahan Tachie-Menson, The Fantastical Argos Mirror © courtesy the artist

Nyahan Tachie-Menson, The Fantastical Argos Mirror © courtesy the artist

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Nyahan Tachie-Menson, The Fantastical Argos Mirror © courtesy the artist

Nyahan Tachie-Menson, The Fantastical Argos Mirror © courtesy the artist

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Evans Mireku (Steloolive), 360 LA RESIDENCY, Community Listening engagement In Labadi Township, Accra, 2020 © courtesy the artist

Evans Mireku (Steloolive), 360 LA RESIDENCY, Community Listening engagement In Labadi Township, Accra, 2020 © courtesy the artist

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Evans Mireku (Steloolive), Public Interaction with ORACLE AFRONAUT SPACE project performance, GuestProjects Digital ArtistResidency © courtesy the artist

Evans Mireku (Steloolive), Public Interaction with ORACLE AFRONAUT SPACE project performance,  GuestProjects Digital ArtistResidency © courtesy the artist

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Fatric Bewong, Red, Black & white (III) (1) © courtesy the artist

Fatric Bewong, Red, Black & white (III) (1) © courtesy the artist

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Fatric Bewong, Kwae e agye wo no, yenfre no kwaewa (1) © courtesy the artist

Fatric Bewong, Kwae e agye wo no, yenfre no kwaewa (1) © courtesy the artist

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Fatric Bewong, If only you could stay with me longer- sideview (1) © courtesy the artist

Fatric Bewong, If only you could stay with me longer- sideview (1) © courtesy the artist

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Digital platform OtherNetwork

GIF with data visualisations from othernetwork.io © Grafikdesign F451 - Domitille Debret & Quentin Creuzet, 2022

GIF with data visualisations from othernetwork.io © Grafikdesign F451 - Domitille Debret & Quentin Creuzet, 2022

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Screenshot showing the network connections of Dakar © ifa/eflux

Screenshot showing the network connections of Dakar © ifa/eflux

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Screenshot showing the network connections of Stuttgart © ifa/eflux

Screenshot showing the network connections of Stuttgart © ifa/eflux

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Screenshot showing the network connections of Lagos © ifa/eflux

Screenshot showing the network connections of Lagos © ifa/eflux

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Chains of Interest

30.09.2022 – 22.01.2023 at the ifa Gallery Berlin

Adrien Missika, Ou/Où, 2018, (Poem generated by pebble throwing. Pebbles collected from Serifos Island, recto/verso rubber stamp print), Courtesy Galeria Francisco Fino, Lisbon and Proyectos Monclova, Mexico

Adrien Missika, Ou/Où, 2018, (Poem generated by pebble throwing. Pebbles collected from Serifos Island, recto/verso rubber stamp print), Courtesy Galeria Francisco Fino, Lisbon and Proyectos Monclova, Mexico

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Lizza May David, May narumduman ka didi? (Do you remember something here?), detail, 2022, from the series: mmmmmmm

Lizza May David, May narumduman ka didi? (Do you remember something here?), detail, 2022, from the series: mmmmmmm

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Isaac Chong Wai, Breath Marks: Mother with her Dead Son, 2022

Isaac Chong Wai, Breath Marks: Mother with her Dead Son, 2022

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Wilhelm Klotzek, Scene from the film: DHM, 2017-2022, Photo: Peter Woelck, Untitled (Berlin, Imbiss Weißensee, early 1990s)

Wilhelm Klotzek, Scene from the film: DHM, 2017-2022, Photo: Peter Woelck, Untitled (Berlin, Imbiss Weißensee, early 1990s)

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Wilhelm Klotzek, Scene from the film: DHM, 2017-2022, Photo: Peter Woelck, Untitled (Berlin, Unter den Linden late 1980s)

Wilhelm Klotzek, Scene from the film: DHM, 2017-2022, Photo: Peter Woelck, Untitled (Berlin, Unter den Linden late 1980s)

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'Spheres of Interest*'

Exhibited in the ifa gallery Berlin from 24.06. – 18.09.2022
 

View of the exhibition Spheres of Interest* at the ifa gallery Berlin © Victoria Tomaschko

View of the exhibition Spheres of Interest* at the ifa gallery Berlin © Victoria Tomaschko

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Ruth Wolf-Rehfeldt, Spheres of Interest, 1975, Zincography, 21 × 29.5 cm. Courtesy of the artist and Chert Lüdde, Berlin.

Ruth Wolf-Rehfeldt, Spheres of Interest, 1975, Zincography, 21 × 29.5 cm. Courtesy of the artist and Chert Lüdde, Berlin.

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Lizza May David and Gitte Villesen comparing gazes. Left: The Unknown Filipina, 2010 by Lizza May David, right Mischling, 1924 by Hannah Höch. Photo: Adrien Missika

Lizza May David and Gitte Villesen comparing gazes. Left: The Unknown Filipina, 2010 by Lizza May David, right Mischling, 1924 by Hannah Höch. Photo: Adrien Missika

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Endre Tót, I'M LOOKING FOR NOBODY, from the photo series HOPES IN THE NOTHING, 1980, color photo © VG Bild-Kunst, Bonn 2022

Endre Tót, I'M LOOKING FOR NOBODY, from the photo series HOPES IN THE NOTHING, 1980, color photo © VG Bild-Kunst, Bonn 2022

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ifa art collection (deposit Berlin), Institut für Auslandsbeziehungen – ifa © Victoria Tomaschko

ifa art collection (deposit Berlin), Institut für Auslandsbeziehungen – ifa © Victoria Tomaschko

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Käthe Kollwitz, Die Mütter [The Mothers], sheet 6 of the series War, 1922-23, 1983/208, Woodcut

Käthe Kollwitz, The Mothers, sheet 6 of the series War, 1983/208, Woodcut

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Isaac Chong Wai, Die Mütter (The Mothers), performance, 2022, © Victoria Tomaschko

Isaac Chong Wai, Die Mütter (The Mothers), performance, 2022, © Victoria Tomaschko

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Persons

President Ulrich Raulff; Photo: Constant Formé-Bècherat
Photo: Constant Formé-Bècherat

Prof. Dr. Dr. h.c. Ulrich Raulff, President of ifa
Photo:  Constant Formé-Bècherat, 2018

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Gitte Zschoch, ifa Secretary General
Photo: Victoria Tomaschko/ifa

Gitte Zschoch, Secretary General of ifa
Photo: Victoria Tomaschko/ifa

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Contact

Miriam Kahrmann

Head of Communication Department

Charlottenplatz 17
D-70173 Stuttgart

Telephone: +49.711.2225.105