ifa blog

Interviews, essays, reports – in the ifa blog, the diverse topics of the ifa are vividly presented in various formats.

Butterflies in the Brain

Making traditional Ukrainian hair wreaths is an art that is no longer very common today. Olena Afanasenko talks about preserving the cultural heritage of her homeland in an interview ...

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White lies and the voids of­ history

Both Namibia and South Africa look back on a violent colonial past, but the history books only tell of individual "heroes". Can historical fiction give the victims a voice?

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A window on the world

40 years of ifa exhibition funding - With more than four decades of experience and over 2,000 artistic positions abroad, ifa supports artists worldwide. How has ifa's exhibtion funding ...

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Why the Venice Biennale Model Is Obsolete

With the national pavilion model, the Venice Biennale masquerades provincialism as worldliness. And it's Global South artists who pay the price.

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Jewish Life beyond the Shoah

Jewish life in Germany looks back over 1,700 years of history, which has been celebrated with a nationwide anniversary since 2021. Andrei Kovacs manages the association which was ...

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A Half Century of Art in a Globalised World

2021 is a year of anniversaries. The ifa Gallery Stuttgart celebrates 50 years, the ifa Gallery Berlin 30. From an ethnographic focus to contemporary art and spaces for experimentation, ...

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Being Indigenous Is a Form of Knowledge

Artist Gabriel Rossell Santillán works with indigenous communities in Mexico. His videos, photographs and books, presently on show at the ifa Gallery, are the result of this work. In ...

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Annual Report 2020: Impressions of an Unusual Year

Societies around the world have been marked by the Corona pandemic. ifa, too, has been impacted, and like the rest of the world, the institute found new ways to bring people together, ...

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Annika Hampel on stage

A Collaboration Based on Trust Needs Time

What will successful international collaborations between universities look like in the future? As part of ifa's Research Programme 'Culture and Foreign Policy' Annika Hampel attempts ...

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