Opening: March 12, 2026 at Galerie für Zeitgenössische Kunst, Leipzig
The work of Ulrich Wüst first attracted attention in the 1980s, above all on account of his many Cityscapes, taken in several towns around the GDR. These images show scarring from the Second World War and an unchecked decay of historical built fabric. At the centre of his photographic interest, however, were those absurdities in urban situations that derive as much from a lack of attention or cluelessness as from wanton destruction or uncontrolled development. With his camera, Wüst evolved his own, very visual way of critiquing architecture. It has lost none of its poignancy today, especially as his argument is never ideological but borne along by a sense of phenomena that offers as much scope for subtle humour as for irony.
A wider international audience discovered Ulrich Wüst’s photography when he was invited to exhibit at documenta 14 in Kassel in 2017.
Ulrich Wüst’s photographic œuvre, which explores Eastern Germany in the broader sense, is not confined to the sunken GDR. It might be described as a pictorial archaeology of our present day. These pictures reveal the finds from his “excavations” and are at the same time tools of their conservation. Wüst has an infallible feel for the graphic quality of everyday situations, objects and materials, but also for the deeper layers of significance associated with found images. Examples are the enlarged details from East German press products that demonstrate a manipulative use of photography.
Ulrich Wüst’s photographic work can be contemplated from different perspectives. While the observations captured here are essentially rooted in Germany’s division and its mending, at the same time they always relate to universal phenomena of social change and its material manifestations. The seemingly terse images, extremely precise in their composition, are the fruits of lengthy visual wanderings through present sites of recent history.
Curated by: Matthias Flügge
In cooperation with the Galerie für Zeitgenössische Kunst, Leipzig
The ifa agora is the central platform for the network, collection and archive of ifa – Institut für Auslandsbeziehungen in the field of art. It is a place of transcultural exchange – just as the agora in ancient Greece was a city’s most important meeting place and marketplace. It shows ifa’s relationships and brings them together online.
With over 20 touring exhibitions currently travelling across the globe and with its diverse event programmes on contemporary art, the ifa links the German art scene with internationally active cultural creators and forms cooperations and networks. The projects, many of which were developed in co-creation with local partners, cover the various disciplines of modern and contemporary fine arts – from current themes in architecture, photography and design to Bauhaus and monographic exhibitions such as Rosemarie Trockel or Marcel Odenbach. These projects generate local meeting platforms and allow international perspectives on topics of global relevance. The ifa also provides loan exhibits to interested museums.
ifa – Institut für Auslandsbeziehungen works in the fields of art and civil society to build understanding and trust between people around the world. It promotes democratic civil societies and advocates freedom in art and science and freedom of opinion. It contributes its international knowledge and networks to debates in the fields of art and culture, politics and society, widening perspectives in Germany and around the world. ifa is supported by the Federal Foreign Office, the Federal Ministry of the Interior, the state of Baden-Württemberg and its capital Stuttgart.
