Reconstruction of the history of colonisation
ifa | The Portuguese artist Rui Vilela felt "the desire to listen" while he dealt with Portugal's colonial historiography. For his project "Non-historicised Histories" he took a look at the archive of audiotapes in Guinea-Bissau. During this work Vilela found audio recordings from speeches of freedom fighters as well as from representatives of the colonial regime. Furthermore he collaborated closely with contemporary witnesses and historians from Guinea-Bissau, in order to be able to present the country's colonial background in his installations. Vilela received support from the ifa-programme Artists' Contacts. In the interview he talks about colonial historiography, diverse narratives and his artistic work.
Unpolitical and spoiled: Generation Y under criticism
ifa | Mara Zöller believes that past riots may be pretty instructive. As one of the first the student visited the exhibition "Riots: Slow Cancellation of the Future. On Riots and Resistance", which will be shown at ifa Gallery Stuttgart from 27 April until 24 June. In a comment she appeals to her generation for vouching peacefully for their own opinion.
A Mozambican palaeontologist in Germany
ifa | Nelson Ernesto Nhamutole had doubts about coming to Germany. For three months, the 33 year old Mozambican works at the State Museum of Natural History in Stuttgart. The residence of the curator of the paleontological laboratory in Maputo was encouraged by the Rave Scholarship of ifa. When we met him at his workplace he told us about common aspects in Mozambique about Germans and why he brought over 250 Million years old fossils from his home country.
Wolfgang Tillmans in Nairobi
ifa | Kenyan artist Jackie Karuti reveals her thoughts about Wolfgang Tillmans' work and establishes a reference to several Kenyan artists and photography in Kenya. Karuti practice is largely experimental and employs the use of new media. The artist is based in Nairobi, where the exhibition "Fragile" is presented at "The GoDown Arts Centre" and the "Circle Art Gallery" from 12 April to 11 Mai. The exhibition provides a comprehensive overview of the many-facetted work of Wolfgang Tillmans.
ifa | In 2017 German artist Heide Hinrichs work was featured in the debut Kathmandu Triennale, curated by Philippe van Cauteren. Hinrichs' idea was to pick up the current discourse about postcolonialism and the efforts of countries like Nepal to tell stories of the past from their own perspective. She succeeded in bringing original drawings of Nepalese birds commissioned by Brian Hodgson between 1825 and 1857 from the Natural History Museum in London back to the place of their origin.
Trump and the cultural sector
ifa | How do matters stand with regard to transatlantic cultural relations? In the report "After the American election.The scope for action in German-American cultural relations" Curd Knüpfer forecasts two scenarios: change and adaptation to the new situation or the continuity of programmes that have been stable for many years. In an interview he speaks about the current situation of American cultural and educational institutions and what they expect from Germany's Foreign Cultural and Educational Policy.
International Women's Day
ifa |"Even in our sleeping state we're gendered", thinks the art historian, curator and author An Paenhuysen. She accompanies the exhibition "Rosemarie Trockel" since 2016. With her feminist art work Rosemarie Trockel often raises controversies. For the opening of the exhibition An Paenhuysen visited Novi Sad, Serbia. She wrote down her thoughts about portraits of men, capitalism in Novi Sad and "neo-feminism".
Finissage in Kinshasa
ifa | ''For him, each photo is an act of love, respect and a form of embrace between himself and his photographic subjects'', says Patrick Mudekereza, author and cultural producer, about Wolfgang Tillmans. Tillmans' exhibition ''Fragile'' can be seen in the Museum of Contemporary Art and Multimedia in Kinshasa until 18 of February. For Mudekereza the 210 meter high cement tower of the museum serves as a reminder of Kinshasas power in the country. An essay about an extraordinary exhibition at an extraordinary place.
Exhibition "Helga Paris. Photography" opens at the ifa Gallery Stuttgart
ifa | Alternating between single images and series, the work of Helga Paris presents a pictorial record of German history encompassing more than 30 years. Her photographs report on life in the GDR. They have an additional psychological quality that permits identification in a unique way. This quality derives from Paris's respect for and appreciation of her subjects, which her pictures in turn are capable of expressing.
By Inka Schube
Touring exhibition arrived in Pristina
ifa | Provoking, surprising and controversial: ifa's touring exhibition "Rosemarie Trockel" moved from Tirana to Pristina, where the opening took place on 19th December at the Kosovo National Art Gallery. An Paenhuysen accompanies the exhibition with speeches, workshops and guided tours. In Prisitina she got an insight into the local art scene, met with artists, designers and attended a very special performance. She reports with enthusiasm about Pristina's coffee culture, architecture and exciting encounters.
By An Paenhuysen
ifa | How can trash be turned into pure gold? Why does design thrive on waste? And which role do upcycling and recycling play worldwide? These and other questions were discussed by curators, researches, designers and students in the Museum für Kunst und Gewerbe Hamburg. The two day conference accompanied the ifa exhibition "Pure Gold – Upcycled! Upgraded!", which will travel around the world for ten years.
Local Resources and Traditional Handicrafts
Contemporary Architecture from India
ifa | In order to "explore thoughts and ideas", Bijoy Jain founded the "Studio Mumbai" in 2005. Carpenters, roofers, bricklayers, plumbers and many other artisans work in the architectural office aside from architects. The co-creation enables creative processes and designs that combine tradition and modernity. In the exhibition "Between the Sun and the Moon" the ifa Gallery Stuttgart presents the working processes and sources of inspiration of the Indian architect and his team as well as various materials, tools and color samples. The exhibition is part of the "Architekturnovember", organised by the Association of German Architects Baden-Württemberg.
Interview by Constant Formé-Bècherat und Siri Gögelmann
Art as a way out of the crisis of representation?
ifa | Dealing with ethnological collections in science and society has become a controversial subject, as the history of ethnological museums is inseparably linked to Eurocentrism and colonialism. Dominant narratives have consistently been reproduced. How can museums encounter this past? Can the transformation of a colonial institution into a space for post-colonial discourse be successful? What are the challenges at the interface of ethnological museums and art?
Pure Gold Picture Gallery
ifa | Waste, its disposal and recycling have been on the global agenda for a long time. The exhibition format Pure Gold – Upcycled! Upgraded! shows how to face the problem creatively. Regarding the aspect of sustainability, designers from all over the world present art made from waste. The touring exhibition officially started in Hamburg and will be continued for the next ten years at different venues. The picture gallery presents first results of the exhibition opening at the 'Museum für Kunst und Gewerbe MKG'.
Exhibition: World premiere in Dresden
ifa | Franz Erhard Walther is considered a pioneer of participatory art. As professor at the Art Academy in Hamburg he has gained influence on a wide a range of important artists. At the 57 th art exibition "La Biennale di Venezia 2017", he had been awarded with the Golden Lion as best artist. From 1st september till 20th january, his works are displayed within the exhibition "The Event of a Thread" at the "Kunsthaus Dresden". In an interview Walther speaks about the beginnings of his work in the 1950s, drawing and his own definition of "sculpture".
Interview by Marco Fiedler
Under the Mango Tree - Sites of Learning
ifa | The event Under the Mango Tree -Sites of Learning, as part of documenta 14, acted as an open forum for the study of the understanding of cultural education and educational initiatives from around the world. The artist Duane Linklater, who took part with the project Woodland School, has met with Aïcha Diallo for an interview. The Canadian artist discussed education, cultural expressions and the centrality of indigenity.
Interview by Aïcha Diallo
ifa | Recycling is an increasingly popular topic among the population. However, recycling is becoming more and more important not only in private households, but also in the art scene. Volker Albus is the curator of the exhibition "Pure Gold" that is dedicated to the topic of recycling and will open in Hamburg on September 15th. In his introductory text, Albus reports on his work with garbage, the variety of recycling, and the recycling-motivated design in recent years.
Biennial Conference: "Curating Under Pressure"
ifa | "What can art achieve in times of crisis?" – The question was central in Christchurch, New Zealand, after the cities had to deal with two serious earthquakes in 2010 and 2011. Even though the local biennial was at stake, the organizers decided to continue. The idea of a biennial conference in Christchurch on the ethics of curating came up. Under the headline "Curating Under Pressure" organizers and directors, but also curators, artists, academics as well as representatives and activists from the local art scene participated. Susanne Boecker and Paul Wood summarize the results of the conference.
Contemporary Art from Germany in Mexico
"Imaginar para Imaginar" – A Workshop with Lilian Scholtes
ifa | Four days of pure creativity: With different materials and colours young people from Mexico created their personal artworks during Lilian Scholte's Workshop "Imaginar para Imaginar" in Guadalajara. The exhibition "Future Perfect" served as the source of inspiration. The exhibition includes films, photographs, sculptures, objects, painting, and collages by sixteen artists who look at visions of the future and speculations on the course of history. The next workshop with the art mediator Scholtes takes place from 28 to 31 August in San Luis Potosí, Mexico. For further information see the "Future Perfect Blog".
ifa | Philip Jailos from Malawi had a very positive experience at the Ethnolgisches Museum in Berlin during his internship: "Everyone was so kind and very supportive. The African collection Department was great: it was a department of joyful and lively young people. I was involved with everything within and outside working hours. I got easily absorbed into the system because of how everyone welcomed me at the museum. I really felt at home." A report about his work and impressions.
Untie to Tie
ifa | The exhibition and the public programme in the second chapter show positions dedicated to resisting the colonial legacies in urban cultures, highlighting their potential of opposing hegemonic structures and politics. How are social hierarchies created and represented geographically in contemporary colonial relationships by stereotypical imaginaries? Urban cultures, such as music, fashion and tourism, are used as political or cultural instruments of empowerment and agency. In educating and uplifting stigmatized and discriminated communities, they point towards relations of subordination and domination that were established and are maintained by colonial structures and neocolonial relations: ideologically, psychologically, culturally, and politically. The plurality of positions and narrative voices in chapter 2 widen Eurocentric narratives and show strong counter-positions.
A World in the City
ifa | We are all familiar with something we call Natural History, but what would be the history of Natural History? Where I specifically would see Natural History as forms of relationships that human beings and human civilisations share with nature and Nature. This relationship is akin to a world view that people and civilisations develop and live with.
By Kaiwan Mehta
ifa | Johannes Haile captured in pictures what the people in front of his camera felt: deep trust and empathy. His photographs take us on a journey to almost forgotten landscapes of memory: In the 1960s, the Ethiopian photographer visited the Federal Republic and caught on camera the everyday life of the industrial boom. In her exhibition 'With different Eyes' the anthropologist and writer Meskerem Assegued presents some of these photographs for the first time in Germany. In this interview, she talks about her curatorial decisions and Haile's life with and for photography.
By Juliane Pfordte