- Digital Formats
Collage, ink, coloured pencil
62.5 x 45 cm
An orange tracing paper dominates almost the entire collage. The paper shows various signs of use; it is folded, crumpled and smoothed out again. Lines resulting from the folding run straight across the entire paper or form a tangle of ramifications. The glossy surface reflects light in all directions.
At the top left of the collage can be seen a series of blue pencil dots. Each individual point has its peculiarities, is more or less extended, has a direction, or stays where it is. The individual rows of the series form waves that merge into one another and, finally, are submerged into the orange. In the background, a network of dark lines shows through from the back of the paper. Layers of different, transparent materials overlap in the work. In the centre is a piece of white paper, torn off on one side in a wavy line.
Hanns Schimansky is a draftsman, and as such an inventor, discoverer and researcher. He develops his formal language from observing his surroundings. The coast on which he grew up and the city in which he lives provide him with diverse ideas. His drawings constantly reformulate his observations, varying, abbreviating and experimenting with them.
Schimansky concentrates himself with all his senses on the medium of drawing. He is one of those artists who have dedicated themselves entirely to working with and on paper. For him, drawing is a direct, purposeful treatment of the medium. Being a draftsman means for him setting something against the dizzying media world – slowing down.
The ifa art collection includes 11 collages by Hanns Schimansky, which he created in the early 1990s. Another drawing from 1983 comes from the holdings of the Centre for Art Exhibitions of the GDR, whose collection was merged with that of ifa after the fall of the Berlin Wall.