ifa blog

In an interview, Karolina Slusarenka, former coordinator of ifa's Deployment Programme in Poland and the Czech Republic, talks about identity as an important component of her work with ...

What distinguishes the ifa Galleries? Why is the location of a gallery decisive for its programme? And what are current themes in art? Gallery director Iris Lenz looks back on 30 years ...

Over the last 20 years, cultural and creative industries have gained considerable attention in sustainable development agendas, including in Sub-Saharan Africa. What impact and ...

For Manuela Otero, Programmer and Curator at Fundación Proa in Buenos Aires, lockdown was a unique opportunity to sustain and create communities – through digital study programs, local ...

Current conflicts and the increasing division in society have lead ifa to realize the new art project 'EVROVIZION crossing stories and spaces'. The author Sanja Kojić Mladenov, one of ...

For curator Sanja Kojić Mladenov at the Museum of Contemporary Art Vojvodina in Novi Sad, Serbia, the pandemic crisis has only heightened the need for clear cultural policy and common ...

The second Martin Roth Symposium took place over five days in early September. Beaming out from the Museum für Naturkunde in Berlin it explored what might (and should) be next for the ...

At the Design Society in Shenzhen, Curator Lu Yangli saw several international projects disrupted by the pandemic, but remains committed to cross-institutional cooperation and exchange.

The digital revolution has destroyed the public sphere as we knew it. Isolated from each other, we dig our own tunnels: blind, sensitive to the smallest of vibrations, frightened by ...